From Aeonflux
The disused 1935 Berlin Windkanal or aerodynamic testing windtunnel for German aircraft, built in 1932 and now designated a technical landmark.
Source: archicrave
Manhatta (1921) - a short documentary film directed by painter Charles Sheeler and photographer Paul Strand.
The film has been deemed “culturally significant” by the Library of Congress, selected for preservation in the United States National Film Registry, and was restored for the DVD set Unseen Cinema in October 2005. The film was completely restored in January 2009 by archivist Bruce Posner, working with film restoration company Lowry Digital. Posner spent close to four years returning the film to its original glory
(seen over at photourbanist)
Source: chazhuttonsfsm
“We can express our feelings regarding the world around us either by poetic or by descriptive means. I prefer to express myself metaphorically. Let me stress: metaphorically, not symbolically. A symbol contains within itself a definite meaning, certain intellectual formula, while metaphor is an image. An image possessing the same distinguishing features as the world it represents. An image — as opposed to a symbol — is indefinite in meaning. One cannot speak of the infinite world by applying tools that are definite and finite. We can analyse the formula that constitutes a symbol, while metaphor is a being-within-itself, it’s a monomial. It falls apart at any attempt of touching it. “
- a. tarkovsky -
Source: lattefreddo
megat: Still image from TRON, sourced from The TRON Aesthetic: The Atari Age of German Expressionism.
The magnificent scenes of heroism, transcendence and man dominating his surroundings should please the most masculinist among us, including Ayn Rand and Leni Riefenstahl…
Source: amoeba.com
2001: A Space Odyssey (1968, dir. Stanley Kubrick)
“Film operates on a level much closer to music and to painting than to the printed word, and, of course, movies present the opportunity to convey complex concepts and abstractions without the traditional reliance on words. I think that 2001, like music, succeeds in short-circuiting the rigid surface cultural blocks that shackle our consciousness to narrowly limited areas of experience and is able to cut directly through to areas of emotional comprehension. In two hours and twenty minutes of film there are only forty minutes of dialogue.
I think one of the areas where 2001 succeeds is in stimulating thoughts about man’s destiny and role in the universe in the minds of people who in the normal course of their lives would never have considered such matters. Here again, you’ve got the resemblance to music; an Alabama truck driver, whose views in every other respect would be extremely narrow, is able to listen to a Beatles record on the same level of appreciation and perception as a young Cambridge intellectual, because their emotions and subconscious are far more similar than their intellects. The common bond is their subconscious emotional reaction; and I think that a film which can communicate on this level can have a more profound spectrum of impact than any form of traditional verbal communication.
The problem with movies is that since the talkies the film industry has historically been conservative and word-oriented. The three-act play has been the model. It’s time to abandon the conventional view of the movie as an extension of the three-act play.”
-Kubrick, quoted in Stanley Kubrick: Interviews (1970)
(via brokenshrines)
Source: oldhollywood
