Source: designboom.com
Source: designboom.com
George James Morris
Around Manhattan (Chinatown), 1921-1936
Bromoil transfer
[From the Art Gallery of New South Wales]
Source: liquidnight
Old 3D Maps Of New York
Codex 99 continues it’s historical look of New York maps with a collection which adds an extra dimension.
(via vellum)
Source: codex99.com
WHY COOPER UNION MATTERS
Since the 1980s, universities have responded to the pressures of economy by increasingly commercializing themselves, selling their educations as a product. That education has faltered as a result of this is evident all around us. The discourse has become one of investment: Exorbitant loans are justified on the grounds of the value of the product they purport to put out—namely, students that generate income (which then, in theory, enables them to pay off their educational debt). This model keeps education squarely in the place of an instrument within a distinctly capitalist frame, and it has far-reaching consequences. It has already shaped the way schools prioritize disciplinary weight inside the curriculum so that humanities and arts budgets have dwindled to almost nothing. It has limited the nature of discussions in the classroom and the priorities of the students so that it has become commonplace for students to demand higher grades for mediocre work, because of an over-concern with their own marketability once they pass through the institution’s walls. The difference, at Cooper Union, is that because education is regarded as a higher good and not exclusively as a marketable product, the learning process is able to move outside of a solely capitalist frame. An all-scholarship school makes other kinds of thought possible because of the freedom it allows for thinking and learning to roam outside of mere supply and demand, investment and product.
Excerpt of text by Litia Perta
Via LW: http://lebbeuswoods.wordpress.com/2011/12/12/why-cooper-union-matters/
Source: lebbeuswoods.wordpress.com
Probably the best New York City time-lapse video in existence.
This is far too amazing to NOT link here. I am in complete and utter awe of this video. Trust me, it’s incredible.
From the words of the photographer Josh Owens: “I recently spent a little over a month hotel hopping in Manhattan (March 12th to April 29th) shooting time lapse. These clips were pulled from over an hours worth of footage.” Source
Beat me to posting this!
Source: nythroughthelens
Manhatta (1921) - a short documentary film directed by painter Charles Sheeler and photographer Paul Strand.
The film has been deemed “culturally significant” by the Library of Congress, selected for preservation in the United States National Film Registry, and was restored for the DVD set Unseen Cinema in October 2005. The film was completely restored in January 2009 by archivist Bruce Posner, working with film restoration company Lowry Digital. Posner spent close to four years returning the film to its original glory
(seen over at photourbanist)
Source: chazhuttonsfsm
Blue Chaos by film photographer Jacob Felländer
(indirectly via I Still Shoot Film)
Source: jacobfellander.com
SoHo by film photographer Jacob Felländer
(indirectly via I Still Shoot Film)
Source: jacobfellander.com
SoHo Empire by film photographer Jacob Felländer
(indirectly via I Still Shoot Film)
Source: jacobfellander.com
Empire State Building, NYC, New York
by Elliott Erwitt, 1955Beautiful image by photographer and filmmaker Elliott Erwitt.
(via tempestuousteapot)
Source: photokart.tistory.com
today’s view from my window
The most incredible fog rolled in this morning… Here are a few shots.



![liquidnight:
George James Morris
Around Manhattan (Chinatown), 1921-1936
Bromoil transfer
[From the Art Gallery of New South Wales]](http://25.media.tumblr.com/tumblr_m072y1NXhW1qzhl9eo1_1280.jpg)






